Making his first television appearance in over a decade, neo-soul icon D’Angelo put on an electrifying set at the BET Awards, running through the song that introduced him to the wider world, “Untitled ...

OPINION: After the release of his video for “Untitled (How Does It Feel),” D’Angelo was not perceived as the soul legend that he wanted to be. He became a sex god. The point of all this was to educate ...

The cover released exclusively on Spotify arrives 20 years after the original track by D'Angelo dropped. Giveon has given us another reason to believe in the future of neo-soul. On Friday, he released ...

There is an unsteadiness at times on “Black Messiah,” with the richness of the arrangements sometimes acting as a distraction. This album is both D’Angelo’s most resolute and also the one that gets ...

With two hugely influential and platinum-selling albums, Richmond, Virginia’s D’Angelo was once on top of the world. Appearing to many as a sex symbol when he appeared in his video for “Untitled (How ...

R&B crooner and The Voice’s vocal coach Usher ended season 6 of the Voice with two unique performances. Usher took the stage to perform a special cover of D’Angelo‘s “Untitled (How Does It Feel)” with ...

A frame-for-frame imitation of D'Angelo's 2000 clip by Panic! at the Disco's frontman cannily inserts race into a song about bisexuality. In the wake of Robin Thicke's "Blurred Lines" and Miley ...

Choreographer Kyle Abraham has described his dance-making as a “kitchen sink” of influences: a potent mix of classical ballet’s grace and precision, the swagger and syncopation seen in jazz and the ...

BECKET — One cast member of “An Untitled Love,” the 2021 dance by the postmodern choreographer Kyle Abraham, has called the piece a “Black love sitcom dance.” Abraham, meanwhile, has called it his ...

Performances in N.Y.C. Advertisement Supported by Critic’s Pick In “An Untitled Love,” an hourlong show at BAM, Abraham and his dancers turn the stage into a house party set to D’Angelo tracks. By ...

Performances in N.Y.C. Advertisement Supported by In his evening-length work coming to BAM, Abraham wanted to focus on celebration and joy in Black culture, “the way we love and love on each other.” ...