Curator, Ann Temkin: This painting is called Woman, I and it has the number after it because ultimately there were six such large-scale paintings of single women that de Kooning worked on in the 1950s ...

Ann Temkin: The most amazing thing about Pollock I think to many people today still is what appears to be the absolute freedom that he brought to what he did. Painting, Pollock felt, had to get away ...

Curator, Anne Umland: We're looking at a picture, Un Oiseau poursuit une abeille et la baisee. This translates as a bird pursues a bee.

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), ...

Artist, Gabriel Orozco: I was storing my works small pieces and objects and stuff in shoeboxes, and you know, recycling a shoebox to store things is a very common thing, I guess. So, when I was ...

Audio from Jack Whitten: The Messenger. Who was Jack Whitten? Learn about the life and work of this boundary-breaking artist.

Photography at MoMA: 1920 to 1960 Edited by Quentin Bajac, Lucy Gallun, Roxana Marcoci, and Sarah Hermanson Meister, 2016 Hardcover, 416 pages If you would like to reproduce an image of a work of art ...

Claes Oldenburg loved to turn everyday household things into giant sculptures to make us laugh and think about them in a new way. Most fans are hard metal machines made by other machines in a factory.

MoMA Highlights: 375 Works from The Museum of Modern Art Introduction by Glenn D. Lowry, 2019 Flexibound, 408 pages MoMA Now: Highlights from The Museum of Modern Art—Ninetieth Anniversary Edition ...

My name is Fay Bound Alberti. I'm a historian of emotion and the body. This is Ernst Ludwig Kirchner's painting Street, Dresden from 1908.

Audio from Pictures by Women: A History of Modern Photography. For much of photography’s 170-year history, women have expanded its roles by experimenting with every aspect of the medium. Pictures by ...

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), ...