And finally, it offers deep insight into St. Jerome, whose devout, blunt, passionate nature appealed strongly to Caravaggio’s own.

Caravaggio’s “Crucifixion of Saint Andrew,” at the Cleveland Museum of Art, is his only altarpiece in the U.S.

The central painting in the chapel, "Inspiration of Saint Matthew" is Caravaggio's third painting, which was put in place in 1602. The patrons originally planned to install statues at the center ...

On the feast of the conversion of St. Paul, we look at the mystery behind Caravaggio’s two famous paintings of the great apostle’s conversion moment.

‘The Inspiration of St. Matthew’ The central painting in the chapel, “Inspiration of Saint Matthew” is Caravaggio’s third painting, which was put in place in 1602.

As one of the most famous Caravaggio’s arrives at the National Gallery from Naples as part of the London institution’s 200th anniversary celebrations, Michael Hodges looks at what the ...

Caravaggio makes dramatic use of light and shadow, and a skull on the table serves as a reminder of the ethereality of physical life. For Saint Jerome 2021, Thanassi staged the portrait with her ...

Caravaggio's last painting, The Martyrdom of Saint Ursula, is a neat distillation of everything that made the Italian artist such a unique, and enduringly fascinating figure, perhaps the most ...

(The Conversation) — The motto that Francis selected for his papacy, ‘looking at him with mercy, he chose him,’ was inspired by Caravaggio’s painting.

‘The Calling of Saint Matthew’ Matthew is described in the Bible as a tax collector, viewed at the time as a highly dubious occupation. In the painting, Christ enters the room from the right.