For sixteen minutes and thirty-three seconds, I watched Deborah-Joyce Holman’s film Close-Up (2024), relinquishing anticipation for what may happen next and settling into an ease of the ordinary scene ...

Gervais Marsh. Dr. Gervais Marsh is a writer, curator, and scholar based in New York City, whose practice meditates on ...

What do you see when you look at pictures of President Trump’s cabinet?” asks writer David French in an interactive web ...

When Equinox Gallery—one of Canada’s best-established galleries, and a longstanding benchmark of Vancouver’s art scene—announced its 50 th anniversary, earlier this year, I did a double-take. I couldn ...

Within the flood of new trans memoirs and books offering their definitive takes on trans theory in the past few years, I gratefully found hannah baer’s book, Trans Girl Suicide Museum (Hesse Press, ...

Yoshio Taniguchi’s 2004 expansion of the Museum of Modern Art integrated the glass buildings on either side of the museum so that when you are sitting towards 54th street, in the Cullman offices, in ...

Facing the restrictions of the pandemic, most authors who published in 2020 felt they had little choice but to cancel their scheduled tours and replace them with a lone Zoom reading, to celebrate ...

Steyerl’s signature mode of conceptual double entendre recurs throughout the nine films and video installations that comprise her current retrospective at New York’s Artists Space, as well as her 2013 ...

The best way to fuck something up is to give it a body. A voice is killed when it is given a body. Whenever there’s a body around you see its faults. The question is, now, in an artworld and social ...

Pablo Picasso is so famous and so ubiquitous and so dead that he is easy not to think about at all. It’s as though ...

It’s a dare that some people are willing to take up. When we finally find a quiet cafe, Moser tells me about someone in the audience the night before who was demonstrably put out by the 33-year-old ...